What happened to your son? It’s a fair question. The “what” of a tragic “Event” is always morbidly fascinating to the Listener, but retelling the story somehow leaves me cannibalized. Mere words only compartmentalize the pain, make it palatable and unbearably Normal …for the Listener. And in the end, the Story I tell is not mine (it’s a diluted version of The Truth because The Truth is too awful to report; it makes others squirm. And lets face it, no one knows why “bad things happen to good people” or what exactly God’s “Plan” is when a child is taken first).

What happened to my son is simply this: he was spirited away and now I’m free falling over a cliff. The End. Only it isn’t The End. The End is Never Ending.

Somehow life continues like some kind of apology. So sorry for your loss but….got to go. Traffic jams, dockets, legal briefs, deadlines, clients, crimes. Time. It keeps passing. Tidy closure is mere illusion. Learn from this experience, a judge echoes the response most Helpers give when their words are so inadequate. But he says it to my client, as if his crime is an experience. As if he can go away for years and learn what it means to be human again, to suffer, to feel– anger, regret, remorse, forgiveness.

I want to go away for life.



Categories: The Vault

He comes to me sometimes in my dreams, whole, the way he was as a child with his wide, mischief grin and brings me a circular box wrapped in socks. The gift card, written in sloppy orange crayon reads: “I am fragile, handle with care.” Wind picks up; the box is light, too light, as if what’s inside is already empty.

“Careful,” he laughs. “If you break it, I can’t make another one.”

And I realize in that moment as he stands there in Reverse Land or wherever we are in this strange dream dimension that I don’t need to open his gift. He’s already given it to me: I am his mom



Categories: The Vault

Ann Rice wrote about Vampires, monsters condemned to darkness, immortal creatures with strangely human qualities, beset with loneliness. Her fictional demons came to life following the tragic death of her daughter when she “looked around and realized [she] was nobody and nothing. [She] wasn’t even a mother anymore.” Her Vampires personified grief, beasts forced to live Undead and shuffle through darkness waiting for dawn so they could finally sleep. But sleep is not escape, it’s delay and fresh awareness that living Undead is, after all still living.

“The trick is not to mind it, to live anyway, despite the pain,” Grief speaks to me.  (Hey, if Rice can talk to Vampires…)

Tough, I mind it. I mind it. I’ve not learned “the trick.”

“Practice being still.” Grief closes her eyes.    

Quiet my mind. Okay. Breathe. Focus. Meditate.

I like the idea of meditation the seduction of silence but my “OM’s” feel forced and my mind still races. I close my eyes and wonder if anyone still sees me? Is this how Vampires feel when they shut the lids to their coffins–trapped between worlds, unable to leave, left to experience the rest of their lives Undead?

“I’m not doing this right,” I tell Grief. “I don’t feel any better.”

“Give it time,” she says.

“The “time heals all wounds” platitude?” That’s it? I want a refund.

“Try silence in intervals. Five minutes at a time. Practice will make you stronger.”

Notice Grief didn’t say “strong” she said “stronger.” I don’t feel strong. I feel like a whisper, like for the first time my outside matches my inside.

“This is how I see you,” a client once sent me a charcoal drawing of a Warrior Princess. I actually looked up the definition: Warrior, “a brave fighter.” Princess, “a woman of high rank in her profession.” Recently, at a writing event featuring one of my books, a stranger remarked that I resembled “an Ice Princess.” The Warrior part of me must have finally hardened.

“You’re panicking,” Grief says.

Of course I’m panicking. I don’t like this new Being I’ve become. I don’t accept this living Undead as an Ice Princess.

“Practice being still.”

Breathe. OM. Breathe. OM. Nothing is happening. I’m feeling nothing. Geez, I can’t even breathe right. How did I do this before…before I lost my child? Think calm thoughts, like the Ocean, yes! Somewhere in the Cooke Islands, beautiful crystal blue, with slight froth. Wait, don’t Tsunamis happen in the Cooke Islands? This is doing nothing for me.

“Sometimes doing nothing is doing something.” So wise that Grief. Maybe I don’t need to fix this today, tomorrow. Maybe I just need to be. I just need to be in my pain, to be this right now, whatever this is. Today, instead of sitting with my legs crossed, eyes closed, pretending to be still, I hiked into the Red Rocks and practiced silence for thirty minutes. I just listened. Wind shivered through the pine tops and when I looked up, it was like hearing the world for the first time.



Categories: The Vault

“Safe House” in CIA speak means refuge for defectors “coming in from the cold.” Spies, criminals, “hostiles” and people in danger of being exposed surrender inside to their new Normal, a world so quietly foreign. They begin again, anonymous. They seal the door and become Anyone, anyone but who they really are. There is great relief in reinvention. I too, wish to defect, come in from the cold. But in my Safe House tenderness seeps in and shows me my son. There is a knock at my door, soft at first, an almost inaudible tap, tap, tap. I’m not ready. But the door cracks open and darkness, like a pressure lifts. In blow butterflies. They fill the white spaces and skim my shoulders and cheeks, gentle as a kiss. They don’t live very long—less than a month (and only then if no one brushes up against their wings) but they have the most beautiful life, full of bright colors and flight. They are at once connected and detached from their surroundings, they flutter into darkness with such delicate grace, leaving behind an imprint.



Categories: The Vault

Excerpts from The Vault: I’m Still Here

One morning as I drive to work I catch my reflection in the rearview mirror; a face stares back at me but I don’t recognize me, the light behind her skin has burnt her to coals. Could I have changed so much in just a few months? Will I look like myself again when this is over? And if this is never over whom will I look like? Author, Glennon Doyle, calls this kind of change—the change that occurs when you sit inside your own pain—revolutionary: “[w]hen you let yourself die, there is suddenly one day: New Life. You are Different. New. And no matter how hard you try, you simply cannot fit into your old life anymore.”

This is true; I don’t fit. I have put myself back together completely differently.

And yet I’m still here. My nineteen year-old court appointed client is “The Block Monster.” He murdered a mother in front of her three sons while she read to them Maurice Sendak’s book, “Where the Wild Things Are.” The story of a little boy whose mother sends him to bed without dinner is really about a child’s rage, his reaction to his mother’s emotional absence and the darker, neglected parts of a child’s psyche. The Block Monster’s mother asks for her son’s forgiveness, “for being his mother, for not knowing his dark thoughts.” For not accepting that a mother may never know her own child, that her child may be unknowable to her, may not want to be known and may ultimately be the stranger she fears.

“I’m still here,” she writes the judge a letter. “Still just figuring out how to do this….”

“This” is ambiguous. Grief is ambiguous. People ask, are you “Okay?” The alternative is scary, different and primal. It’s Not Okay to be “Not Okay.” The Block Monster took a mother from her sons (they are not Okay); his mother lost him (she is not Okay). I lost mine (I am not Okay). But I’m still here…. Still figuring out how to do this…

“Forgive me,” the Block Monster’s mother writes. “I am not myself anymore. I just lost my son.”
Like me, she is falling awake.



Categories: The Vault

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